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   <title>Utopian Aboriginal Art Gallery</title>
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   <updated>2008-11-25T18:59:39Z</updated>
   
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<entry>
   <title>My Place</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/natalie_pula_holmes/my_place_2/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.327</id>
   
   <published>2008-10-27T04:57:44Z</published>
   <updated>2008-11-25T18:59:39Z</updated>
   
   <summary>Natalie Pula Holmes is part of an exciting new generation of young painters who view life and landscape with a very different perspective to that of the senior generation. Natalie was taught to paint by her mother, Marilyn Brown when...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
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      Natalie Pula Holmes is part of an exciting new generation of young painters who view life and landscape with a very different perspective to that of the senior generation. Natalie was taught to paint by her mother, Marilyn Brown when they lived in Tennant Creek, NT.

Natalie Pula Holmes&apos;s work is shaped by the semi-arid country in which she lives. The shimmering multi-coloured desert landscape and birdlife is a source of inspiration for this painting. She uses the gutta instrument for the application of a veil of white over exhuberant bursts of colour which emerge from beneath.
      
   </content>
</entry>
<entry>
   <title>Ladies&apos; Business</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/julie_sandover_robinson/ladies_business/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.326</id>
   
   <published>2008-10-19T07:14:38Z</published>
   <updated>2008-11-25T19:21:30Z</updated>
   
   <summary>Julie Sandover Robertson&apos;s inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. During the ceremonies women congregate around various ceremonial sites or sacred ground...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Julie Sandover Robinson" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="408" label="Bush Women Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="38" label="Freddy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="77" label="Joy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="557" label="Julie Sandover Robertson" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="559" label="Ladies Business" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="566" label="recent" scheme="http://www.sixapart.com/ns/types#tag" />
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      Julie Sandover Robertson&apos;s inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. 



During the ceremonies women congregate around various ceremonial sites or sacred ground paintings. It is at these ceremonial gatherings that the women, especially the younger ones, are taught the tribal dreamings, or rules of life by the elders.

      
   </content>
</entry>
<entry>
   <title>Bush Plum (Arnwekety) Dreaming</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/bessie_pitjara/bush_plum_dreaming_1/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.325</id>
   
   <published>2008-10-19T07:00:00Z</published>
   <updated>2008-11-25T19:08:30Z</updated>
   
   <summary>Daughter of the renowned Polly Ngala, Bessie has only just begun her painting career. Like her mother, Bessie paints her dreaming - The Bush Plum. The plum is an important source of food for Bush Women and today they still...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Bessie Pitjara" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="61" label="Angeline Pwerle Ngala" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="508" label="Arlparra Country" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="404" label="Bush Plum (Arnwekety) Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="88" label="investment" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="331" label="Kathleen Ngala" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="300" label="Polly Ngala" scheme="http://www.sixapart.com/ns/types#tag" />
   
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      Daughter of the renowned Polly Ngala, Bessie has only just begun her painting career. Like her mother, Bessie paints her dreaming - The Bush Plum. 



The plum is an important source of food for Bush Women and today they still gather the plums once the fruit ripens to maturity. Bessie’s paintings depict the Bush Plum and the effect of its growth patterns on her country. Here she illustrates the topography in shades of reds, oranges, yellows and pinks reflecting the varying seasonal palette. She builds up layer upon layer of colour creating a multi-dimensional effect to reveal the Bush Plum (Ankwekety) - and her country - Arlparra in all its glory.
      
   </content>
</entry>
<entry>
   <title>Bush Plum (Arnwekety) Dreaming</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/bessie_pitjara/bush_plum_dreaming/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.324</id>
   
   <published>2008-10-19T06:38:34Z</published>
   <updated>2008-11-24T07:25:51Z</updated>
   
   <summary>Daughter of the renowned Polly Ngala, Bessie has only just begun her painting career. Like her mother, Bessie paints her dreaming - The Bush Plum. The plum is an important source of food for Bush Women and today they still...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Bessie Pitjara" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="61" label="Angeline Pwerle Ngala" scheme="http://www.sixapart.com/ns/types#tag" />
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   <category term="331" label="Kathleen Ngala" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="300" label="Polly Ngala" scheme="http://www.sixapart.com/ns/types#tag" />
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   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      Daughter of the renowned Polly Ngala, Bessie has only just begun her painting career. Like her mother, Bessie paints her dreaming - The Bush Plum. 



The plum is an important source of food for Bush Women and today they still gather the plums once the fruit ripens to maturity. Bessie’s paintings depict the Bush Plum and the effect of its growth patterns on her country. Here she illustrates the topography in shades of reds, oranges, yellows and pinks reflecting the varying seasonal palette. She builds up layer upon layer of colour creating a multi-dimensional effect to reveal the Bush Plum (Arnkwekety) - and her country - Arlparra in all its glory.
      
   </content>
</entry>
<entry>
   <title>My Place</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/natalie_pula_holmes/my_place_1/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.323</id>
   
   <published>2008-10-19T05:49:38Z</published>
   <updated>2008-11-03T07:58:47Z</updated>
   
   <summary>Natalie Pula Holmes is part of an exciting new generation of young painters who view life and landscape with a very different perspective to that of the senior generation. Natalie was taught to paint by her mother, Marilyn Brown when...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
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   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      Natalie Pula Holmes is part of an exciting new generation of young painters who view life and landscape with a very different perspective to that of the senior generation. Natalie was taught to paint by her mother, Marilyn Brown when they lived in Tennant Creek, NT.

Natalie&apos;s work is inspired by the semi-arid country in which she lives. The shimmering ochre coloured landscape and desert birdlifelife was a source of inspiration for this painting. She uses the gutta instrument for the application of a veil of white over exhuberant bursts of colour which emerge from beneath.
      
   </content>
</entry>
<entry>
   <title>My Country</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/natalie_pula_holmes/my_country/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.322</id>
   
   <published>2008-10-19T05:25:51Z</published>
   <updated>2008-11-12T19:46:58Z</updated>
   
   <summary>Natalie Pula Holmes is part of an exciting new generation of young painters who view life and landscape with a very different perspective to that of the senior generation. Natalie was taught to paint by her mother, Marilyn Brown when...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Natalie Pula Holmes" scheme="http://www.sixapart.com/ns/types#category" />
   
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   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      Natalie Pula Holmes is part of an exciting new generation of young painters who view life and landscape with a very different perspective to that of the senior generation. Natalie was taught to paint by her mother, Marilyn Brown when they lived in Tennant Creek, NT.


Natalie&apos;s work is inspired by the semi-arid country in which she lives. After summer rains the desert landscape is transformed into a kaleidescope of brilliantly coloured flora providing the source of inspiration for this painting. Natalie applies a veil of white over the splashes of pinks, plums and violets which emerge from beneath.
      
   </content>
</entry>
<entry>
   <title>My Place</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/natalie_pula_holmes/my_place/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.321</id>
   
   <published>2008-10-19T04:53:29Z</published>
   <updated>2008-11-25T19:01:03Z</updated>
   
   <summary>Natalie Pula Holmes is part of an exciting new generation of young painters who view life and landscape with a very different perspective to that of the senior generation. Natalie was taught to paint by her mother, Marilyn Brown when...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
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   <category term="508" label="Arlparra Country" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="495" label="Colours" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="258" label="Country" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="4" label="featured" scheme="http://www.sixapart.com/ns/types#tag" />
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   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      Natalie Pula Holmes is part of an exciting new generation of young painters who view life and landscape with a very different perspective to that of the senior generation. Natalie was taught to paint by her mother, Marilyn Brown when they lived in Tennant Creek, NT.

Natalie Pula Holmes&apos;s work is shaped by the semi-arid country in which she lives. The ochre-coloured landscape was a source of inspiration for this painting. She applies a veil of white over splashes of ochres, greens and blues.
      
   </content>
</entry>
<entry>
   <title>Awely (Body Paint)</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/joy_kngwarreye_jones/awely_body_paint_40/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.319</id>
   
   <published>2008-10-01T00:50:52Z</published>
   <updated>2008-12-14T01:16:21Z</updated>
   
   <summary>Joy Jones’ inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. Awely also describes the painted designs and images associated with women’s rituals. The...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Joy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="394" label="Awely-Body Paint" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="408" label="Bush Women Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="424" label="Charlie Petyarre Jones" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="14" label="corporate" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="38" label="Freddy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      Joy Jones’ inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. Awely also describes the painted designs and images associated with women’s rituals.


The Custodian Women paint their upper bodies for these ceremonies. These designs which are painted on the breasts and upper torsos of the women are the source of inspiration for Joy’s work. 


During the ceremonies women congregate around various ceremonial sites or sacred ground paintings. It is at these ceremonial gatherings that the women, especially the younger ones, are taught the tribal dreamings, or rules of life by the elders.

      
   </content>
</entry>
<entry>
   <title>Awely (Body Paint)</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/joy_kngwarreye_jones/awely_body_paint_39/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.318</id>
   
   <published>2008-10-01T00:18:44Z</published>
   <updated>2008-10-01T08:29:47Z</updated>
   
   <summary>Joy Jones’ inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. Awely also describes the painted designs and images associated with women’s rituals. The...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Joy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="394" label="Awely-Body Paint" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="408" label="Bush Women Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="424" label="Charlie Petyarre Jones" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="4" label="featured" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="418" label="sold" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      Joy Jones’ inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. Awely also describes the painted designs and images associated with women’s rituals.


The Custodian Women paint their upper bodies for these ceremonies. These designs which are painted on the breasts and upper torsos of the women are the source of inspiration for Joy’s work. 


During the ceremonies women congregate around various ceremonial sites or sacred ground paintings. It is at these ceremonial gatherings that the women, especially the younger ones, are taught the tribal dreamings, or rules of life by the elders.

      
   </content>
</entry>
<entry>
   <title>Awely (Body Paint)</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/joy_kngwarreye_jones/awely_body_paint_38/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.317</id>
   
   <published>2008-09-30T23:55:24Z</published>
   <updated>2008-12-14T01:27:33Z</updated>
   
   <summary>Joy Jones’ inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. Awely also describes the painted designs and images associated with women’s rituals. The...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Joy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="394" label="Awely-Body Paint" scheme="http://www.sixapart.com/ns/types#tag" />
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   <category term="424" label="Charlie Petyarre Jones" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="38" label="Freddy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="88" label="investment" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      <![CDATA[Joy Jones’ inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. Awely also describes the painted designs and images associated with women’s rituals.



The Custodian Women paint their upper bodies for these ceremonies. These designs which are painted on the breasts and upper torsos of the women are the source of inspiration for Joy’s work. 



During the ceremonies women congregate around various ceremonial sites or sacred ground paintings. It is at these ceremonial gatherings that the women, especially the younger ones, are taught the tribal dreamings, or rules of life by the Elders.


For sale and on display at <strong>BELL & SON</strong>, 1 Begg Lane, Paddington (off Ormond Street, behind the Paddington Post Office).
]]>
      
   </content>
</entry>
<entry>
   <title>Awely (Body Paint)</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/joy_kngwarreye_jones/awely_body_paint_37/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.316</id>
   
   <published>2008-09-28T04:50:51Z</published>
   <updated>2008-10-15T14:30:34Z</updated>
   
   <summary>Joy Jones’ inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. Awely also describes the painted designs and images associated with women’s rituals. The...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Joy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="394" label="Awely-Body Paint" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="408" label="Bush Women Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="4" label="featured" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="38" label="Freddy Kngwarreye Jones" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      Joy Jones’ inspiration for her paintings is derived from her knowledge of Awely or women’s business which are ceremonies associated with women’s social structure and ritual knowledge. Awely also describes the painted designs and images associated with women’s rituals.

The Custodian Women paint their upper bodies for these ceremonies. These designs which are painted on the breasts and upper torsos of the women are the source of inspiration for Joy’s work. 

During the ceremonies women congregate around various ceremonial sites or sacred ground paintings. It is at these ceremonial gatherings that the women, especially the younger ones, are taught the tribal dreamings, or rules of life by the elders.

      
   </content>
</entry>
<entry>
   <title>Wildflowers</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/lucky_kngwarreye_morton/wildflowers_3/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.311</id>
   
   <published>2008-09-07T06:23:40Z</published>
   <updated>2008-12-04T16:54:10Z</updated>
   
   <summary>The morass of Wild Flowers produced after desert rains are the source of Lucky Kngwarreye Morton&apos;s inspiration. In this painting she uses a pastel pallette of oversized surreal petals under rippled lines of white using the gutta instrument....</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Lucky Kngwarreye Morton" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="282" label="Audrey Kngwarreye Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="502" label="Bush Flowers" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="4" label="featured" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="413" label="Hazel Kngwarreye Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="432" label="Honey Ant (Yerramp) Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="88" label="investment" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="108" label="Mary Kemarre Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="436" label="Rainbow (Mpwelarr) Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="366" label="Sarah Kngwarreye Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="485" label="Wild Flowers" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      The morass of Wild Flowers produced after desert rains are the source of Lucky Kngwarreye Morton&apos;s inspiration. In this painting she uses a pastel pallette of oversized surreal petals under rippled lines of white using the gutta instrument.
      
   </content>
</entry>
<entry>
   <title>Bush Plum (Arnwekety) Dreaming</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/gladdy_kemarre/bush_plum_arnwekety_dreaming_24/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.310</id>
   
   <published>2008-09-07T05:18:43Z</published>
   <updated>2008-10-01T08:31:35Z</updated>
   
   <summary>Here Gladdy Kemarre depicts the Bush Plum after the long summer with scorching winds dry and scatter the seed and husk of the bush plum across vast tracts of her country. Viewed from above the vibrant pinks of the dried...</summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Gladdy Kemarre" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="502" label="Bush Flowers" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="63" label="Bush Men" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="404" label="Bush Plum (Arnwekety) Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="4" label="featured" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="65" label="Gladdy Kemarre" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="418" label="sold" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      Here Gladdy Kemarre depicts the Bush Plum after the long summer with scorching winds dry and scatter the seed and husk of the bush plum across vast tracts of her country. Viewed from above the vibrant pinks of the dried bush dominate the landscape. Other flora are shown in a faint underlying pattern.
      
   </content>
</entry>
<entry>
   <title>Awely (Body Paint)</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/mary_kemarre_morton/awely/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.307</id>
   
   <published>2008-09-03T01:18:42Z</published>
   <updated>2008-10-28T06:24:50Z</updated>
   
   <summary></summary>
   <author>
      <name>Sonja</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Mary Kemarre Morton" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="282" label="Audrey Kngwarreye Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="394" label="Awely-Body Paint" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="404" label="Bush Plum (Arnwekety) Dreaming" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="413" label="Hazel Kngwarreye Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="97" label="Lucky Kngwarreye Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="108" label="Mary Kemarre Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="366" label="Sarah Kngwarreye Morton" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="390" label="small" scheme="http://www.sixapart.com/ns/types#tag" />
   <category term="418" label="sold" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      
      
   </content>
</entry>
<entry>
   <title>Handcrafted double bead necklace</title>
   <link rel="alternate" type="text/html" href="http://www.utopianaboriginalart.com.au/aboriginal_art/beads/handcrafted_double_bead_necklace/" />
   <id>tag:www.utopianaboriginalart.com.au,2008:/aboriginal_art//4.306</id>
   
   <published>2008-08-08T09:36:06Z</published>
   <updated>2008-12-14T02:18:25Z</updated>
   
   <summary>These beautiful hand-crafted necklaces are made by Aboriginal women from the central desert. The women utilise the native flora in their designs and each is a work of unique craftsmanship. All jewellery is available at BELL &amp; SON, 1 Begg...</summary>
   <author>
      <name>Emma</name>
      <uri>http://www.utopianaboriginalart.com.au</uri>
   </author>
         <category term="Beads" scheme="http://www.sixapart.com/ns/types#category" />
   
   <category term="418" label="sold" scheme="http://www.sixapart.com/ns/types#tag" />
   
   <content type="html" xml:lang="en" xml:base="http://www.utopianaboriginalart.com.au/aboriginal_art/">
      <![CDATA[These beautiful hand-crafted necklaces are made by Aboriginal women from the central desert. The women utilise the native flora in their designs and each is a work of unique craftsmanship. 

All jewellery is available at <strong>BELL & SON</strong>, 1 Begg Lane, Paddington, NSW (off Ormond Street, behind the Paddington Post Office).]]>
      
   </content>
</entry>

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